Monday, February 11, 2019
scar :: essays research papers
f one looks underneath the profanity and perceived brutal force out of Scarface, they will find an admirable all-round motion picture. However, for those who have an clear mind and are unwilling to dig deep, Scarface is still one calm film. Antonio Tony Montana (Al Pacino) has just arrived from Cuba along with his friend Manolo Ray (Steven Bauer) and about one hundred twenty-five 000 other Cubans. It seems Fidel Castro has opened a Cuban port allowing Cubans to go to the join States. Unbeknownst to the U.S. though, Castro has secretly cleared his jails and included prisoners with the refugees (guess what group Tony and Manolo belong to, * minute wink*). Tony is an ambitious person he wants the world. He always says what is on his mind and does not let people take advantage of him. His posture eventually lands him a job with Drug Lord Frank Lopez (Robert Loggia). Lopez in a flash takes a liking to Tony, who takes a liking to Lopezs trophy daughter Elvira (Michelle Pfeiffer). L opez is not greedy he is happy with the state of his business, but less(prenominal) happy with Elviras cocaine addiction.As Scarface progresses, it details Tonys origin in the drug business as well as his relationships with his match Manolo, his sister Gina (Mary Elizabeth Mastrantonio) -of whom he is overprotective- and Elvira.Scarface is loosely based on the original 1932 Scarface (directed by Howard Hawks and based on real life gangster Al Capone). The smart Brian De Palma (Carrie, 1976) directs the remake, written by another famous director Oliver stone (Midnight Express, 1978). Stone deserves real credit for his gritty yet accurate delineation of the drug industry. Stone, who was himself struggling with a cocaine addiction at the time, interviewed twain Law Enforcement officials and drug dealers before writing his script. The lack of positive characters and an outlawed ending is also praiseworthy since it makes this film into an atypical Hollywood mental picture.Brian D e Palmas direction in this film is slick. While the plot is very violent, the movie shows only some of this violence. De Palma expertly cuts the camera away from some scenes at the last second, showing us the actors reaction alternatively than the deed.Visually the movie uses bright colours, with a focus on nor-east and whites. While this sounds contrary to the dark nature of the characters actions, it fits nicely with the colours of Miami and its people.